系統設計者的話：學英文根本不用背，你講中文，你有在背中文嗎？學英文也是一樣的道理，那是自然而然就會的東西，用背的方式最後肯定都是不行的。 更多...

最好的學習就是有英文的父母，不斷的跟你說話、耐心的教導你，時間長了，你也就慢慢就融入其中了。

但是我們沒有英文父母怎麼辦？看影片學英文就學的起來嗎？學不起來。

我們從小到大，也看過了不少英文電影，至少也看過1、200部也跑不掉，但是為什麼看了這麼多的英文電影，英文還是很爛呢？

主要的原因是我們沒有從基礎性的強化學習。舉個例子，西方的幼兒出生時，他至少聽了各種大人講英文至少聽了2年，才慢慢開始說英文、與大人互動。

而且都是一字一句慢慢的說、慢慢的教、漸進式的、慢慢的、越來越習慣、越來越聽的懂、越來越會說的過程。

那麼我們看的影片、電影過程中，都是大人成熟型的講話速度、方式、語調，我們怎麼可能跟的上？

一旦跟不上，思想中就會產生覺的好難哦、我不行種種念頭，那麼產生了這種潛在式的排斥心理作用，那麼你就更難學的會了。


所以我們必須打好基礎、深厚的基礎，萬丈高樓平地起，唯有打下深厚的基礎，後面你走的路才會越來越順。

程式界裏有句話，程式債欠的越多，最後就只能放棄。學英文也是一樣，英文單字債欠的越多，你就直接上來文法、句型、語調，最後也只能放棄。

基於上述的思維，我打造了這套系統，從最基礎的單字學習起，不斷的強化、加深你對這個單字的聽力，透過各式各樣的影片、各式各樣的人、各種不同的場景。

就只是為了訓練一個單字的聽力，無數的人跟你講同一個單字，講個20遍、50篇、100遍(且不重覆)，我就不信學不起來。


這套系統做出來後，我自己在使用的過程中，確實真的能聽出來他們講的這個單字，而且他們講的速度再快也能聽的出來。

能聽的出來，就知道他講的大概意思；能夠知道他講的大概意思，就能夠用幾個簡單的單字回應；能夠回應，也就能夠對話；當能夠對話，就能夠再修正文法、句型、語調。


我的目地就是希望自己至少能聽的懂人家在說什麼，用英文跟人家對話，大家共同努力、學習。若有其它想法或對這套系統設計的建議，也可以與我聯絡：ichich2013@gmail.com

FORM SF 2014: Panel - Visual Storytelling
觀看次數：878
Mark
is
the
ceo
and
co-founder
of
storehouse
maker
of
the
visual
storytelling
app
that's
won
apple's
2014
design
awards
apps
such
as
aperture
and
iphoto
Next
up
is
tyson
evans
to
build
data-driven
web
apps
on
deadline
Next
up
is
dustin
senos
he's
passionate
about
creating
rewarding
interactions
iterations
and
empathizing
with
users
The
pitchfork
Review
he
enjoys
exploring
and
photographing
the
city
So
visual
storytelling
First
off
how
do
you
individually
visual
storytelling
products
let's
start
with
maykel
maykel
loomans
I
think
visual
storytelling
And
with
instagram
like
instagram
is
inherently
MICHAEL
renaud
Yeah
you're
right
it's
a
buzzy
word
because
there's
always
been
visual
storytelling
look
at
visual
storytelling
as
a
way
it's
just
an
aspect
of
our
larger
journalistic
mission
of
visual
storytelling
At
storehouse
it's
pretty
similar
So
photos
videos
graphics
storehouse
for
Mark
Medium
for
dustin
And
instagram
these
kind
of
aspects
of
visual
storytelling
dustin
senos
We
talk
about
that
a
lot
internally
it's
distracting
in
a
lot
of
ways
And
I
don't
know
designers
a
lot
of
times
they'd
be
down
on
the
homepage
people
tyson
I
don't
know
if
you'd
want
tyson
evans
Yeah
I
mean
I
think
Beautiful
obituaries
beautiful
photos
beautiful
remembrances
I
think
there's
two
aspects
of
it
there's
the
visual
side
and
some
of
the
animations
we've
tried
to
remove
almost
all
chrome
from
our
interface
Even
the
typefaces
that
we've
chosen
about
the
democratization
of
the
design
Are
those
things
overlapping
and
intermixing
at
this
point
tyson
evans
Yeah
it's
totally
shifting
can
be
exponentially
larger
in
cost
and
time
and
complications
driven
by
reader
sourcing
in
a
really
structured
way
Are
you
insured
for
money-making
means
was
there
ever
a
consideration--
I
the
content
management
systems
to
prioritize
professionals
over
more
social
journalists
or
amateurs
to
some
extent
So
businesses
professionals
budding
photographers
Contrary
to
a
storehouse
instagram
dustin
senos
So
at
Medium
we
have
internal
publications
And
we'll
absolutely
internally
build
tools
for
publications
But
if
we're
talking
about
as
designers
imposing
limitations
And
we're
gatekeepers
of
that
in
a
sense
So
I
think
as
designers
imposing
limitations
maykel
loomans
That
actually
ties
into
instagram
these
limitations
I
think
that
we're
That
aren't
infiltrating
our
editorial
to
that--
that's
a
great
point--
is
how
are
we
monetizing
things
what's
the
future
of
monetization
dustin
senos
it's
a
great
question
to
monetize
Medium
Right
now
we're
playing
with
native
advertisements
that
was
hosted
by
bmw
And
I
think
it's
something
we're
all
striving
for
dustin
senos
Totally
has
talked
a
lot
about
monetization
tyson
evans
Yeah
Our
advertising
and
subscriptions
if
we
were
a
purely
advertising-driven
site
So
there's
that
kind
of
built-in
dichotomy
of
when
we're
embarking
on
any
new
feature
we're
we
would've
been
50%
percent
subscriber
supported
MARK
kawano
Yeah
Who
are
the
audiences
there's
different
verticals
of
this
visual
storytelling
that
it's
traditionally
you've
always
been
a
publisher
dustin
senos
Yes
with
editors
and
illustrators
to
be
And
I
don't
struggle
with
if
we're
But
traditionally
for
us
we've
always
thought
of
it
when
it
really
isn't
instagram's
content
maykel
loomans
Yeah
I
think
that
instagram
just
exploring
For
example
like
maddieonthings
There
is
an
editor-in-chief
on
the
team
now
we're
a
site
that's
had
a
heavily
moderated
comment
we've
definitely
done
it
in
sporadic
one-offs
And
I
think
that's
part
of
what
we're
all
focusing
on
here
dustin
senos
Yeah
You
have
festivals
there's
a
print
publication
reaching
new
audiences
a
line
in
the
report--
which
I
didn't
work
on
So
we
translated
it
into
arabic
we
published
it
in
the
morning
work
in
storytelling
products
long-form
versus
short-form
firstly
is
this
sort
of
an
antiquated
phrase
as
a
full
piece
on
storehouse
in
syria--
like
early
on
in
instagram's
life
we
found
this
guy
named
syriandeveloper
they
don't
think
about
long-form
short-form
tyson
evans
And
also
I
think
the
idea
that
there's
there's
the
twitter
version
of
the
story
dustin
senos
currently
Medium
is
And
we're
trying
to
break
that
because
that's
an
intimidating
And
we're
looking
at
ways
of
enabling
publishers
to
do
that
dustin
senos
We
currently
have
an
a/b
test
right
on
it
and
you're
completely
engulfed
in
it
and
you're
10
minutes
in
and
you've
I
think
that
rather
than
the
long-form
short-form
or
a
storehouse
story
they're
really
just
participating
the
way
that
we
were
storytelling
contemporarily
that
are
altering
the
way
that
storytelling
dustin
senos
Totally
bandwidth
continuously
going
up
larger
phone
screens
can
be
published
choosing
the
cropping
and
the
filtering
all
that
tyson
evans
Yeah
the
reader-facing
experience
in
a
more
granular
way
translated
next
to
journalists
editors
reporters
MICHAEL
renaud
I
don't
know
I
think
it's
because
we're
pretty
nimble
myself
four
designers
What
inspires
us
what's
coming
up
next
connections
but
they're
still
not
fast
enough
of
storytelling
really
pushing
storytelling
of
storytelling
was
scrolls
And
now
we
went
back
to
scrolling
browsers
again
the
leap
is
ginormous
internally
we
are
just
a
bunch
of
scrappy
builders
we're
continuously
exploring
different
directions
constantly
we're
constantly
building
small
apps
and
just
exploring
tyson
evans
Yeah
the
idea
of
adaptive
storytelling
What
is
their
archetype
But
it's
also
a
challenge
that's
off-a-cliff
big
to
all
these
sub-stories
and
go
out
is
going
to
be
like
something--

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