系統設計者的話：學英文根本不用背，你講中文，你有在背中文嗎？學英文也是一樣的道理，那是自然而然就會的東西，用背的方式最後肯定都是不行的。 更多...

最好的學習就是有英文的父母，不斷的跟你說話、耐心的教導你，時間長了，你也就慢慢就融入其中了。

但是我們沒有英文父母怎麼辦？看影片學英文就學的起來嗎？學不起來。

我們從小到大，也看過了不少英文電影，至少也看過1、200部也跑不掉，但是為什麼看了這麼多的英文電影，英文還是很爛呢？

主要的原因是我們沒有從基礎性的強化學習。舉個例子，西方的幼兒出生時，他至少聽了各種大人講英文至少聽了2年，才慢慢開始說英文、與大人互動。

而且都是一字一句慢慢的說、慢慢的教、漸進式的、慢慢的、越來越習慣、越來越聽的懂、越來越會說的過程。

那麼我們看的影片、電影過程中，都是大人成熟型的講話速度、方式、語調，我們怎麼可能跟的上？

一旦跟不上，思想中就會產生覺的好難哦、我不行種種念頭，那麼產生了這種潛在式的排斥心理作用，那麼你就更難學的會了。


所以我們必須打好基礎、深厚的基礎，萬丈高樓平地起，唯有打下深厚的基礎，後面你走的路才會越來越順。

程式界裏有句話，程式債欠的越多，最後就只能放棄。學英文也是一樣，英文單字債欠的越多，你就直接上來文法、句型、語調，最後也只能放棄。

基於上述的思維，我打造了這套系統，從最基礎的單字學習起，不斷的強化、加深你對這個單字的聽力，透過各式各樣的影片、各式各樣的人、各種不同的場景。

就只是為了訓練一個單字的聽力，無數的人跟你講同一個單字，講個20遍、50篇、100遍(且不重覆)，我就不信學不起來。


這套系統做出來後，我自己在使用的過程中，確實真的能聽出來他們講的這個單字，而且他們講的速度再快也能聽的出來。

能聽的出來，就知道他講的大概意思；能夠知道他講的大概意思，就能夠用幾個簡單的單字回應；能夠回應，也就能夠對話；當能夠對話，就能夠再修正文法、句型、語調。


我的目地就是希望自己至少能聽的懂人家在說什麼，用英文跟人家對話，大家共同努力、學習。若有其它想法或對這套系統設計的建議，也可以與我聯絡：ichich2013@gmail.com

The reality of virtual reality - Playtime San Francisco 2017
觀看次數：471
name
is
dan
atkins
i'm
a
publishing
we're
continuing
to
learn
from
every
importantly
we're
still
in
this
phase
farmville
franchises
that
zynga
and
erik
the
meta
gas
larry
cutler
who
is
our
cto
who
was
the
technology
at
dreamworks
and
so
we've
traditional
cinematic
animation
and
on
our
on
asteroids
it's
just
the
matic
you
know
it's
like
that's
that's
kind
of
the
benefit
of
having
a
guy
like
erik
darnell
is
he's
we
have
these
kind
of
brainstorming
interactive
sessions
as
kind
of
thinking
would
do
a
lot
of
experimentation
around
games
are
like
these
third-person
we're
really
focused
on
is
that
interactivity
that
you're
layering
in
doesn't
really
detract
from
a
narrative
storytellers
is
that
the
interactivity
don't
it
it's
really
hard
to
say
there's
a
well-defined
process
for
right
it's
immersive
and
i'd
say
the
the
real-time
rebel
animating
in
maya
and
then
going
into
prototyping
like
game
jams
and
like
all
squares
and
shots
and
camera
angles
i'm
unreal
and
unity
and
we're
currently
feature
heavily
yeah
I
bet
and
there's
a
they're
disrupting
again
in
the
to
do
storyboarding
and
vr
and
that's
rapid
prototyping
phase
and
you're
heavy-handed
with
the
the
users
it's
to
complete
newbies
and
so
you'll
find
something
has
been
less
well-received
characters
that's
fairly
easy
to
achieve
like
have
traditionally
had
problems
time
prototyping
like
interactions
and
repelled
by
a
cute
little
bunny
chloe
characters
you
know
it's
right
it's
a
and
these
interactions
that
feels
interactions
as
they
continue
to
matter
I
like
I
don't
think
anybody's
simplistic
thing
it's
I
mean
the
the
and
bouncing
around
it's
amazing
to
photorealistic
because
you
are
actually
life
and
that's
what
you're
striving
for
and
that
could
be
a
simplistic
thinking
about
the
interactions
by
total
sense
it's
funny
muchnick's
I
kind
of
fun
too
is
like
intentionally
what
are
the
biggest
takeaways
you've
don't
know
if
I
have
takeaways
of
the
like
right
now
it's
it's
it's
a
very
there's
arguably
six
platform
that's
on
consoles
or
mobile
devices
I
mean
it's
sony
a
microsoft
or
Apple
which
is
kind
of
the
portability
love
to
you
right
it's
it's
it's
fun
like
it
has
a
lot
of
you
automatically
characters
have
to
be
photorealistic
right
not
at
animation
and
animation
was
just
a
non
interactive
video
game
and
i've
since
interactive
medium
and
the
motivations
gyroscopes
and
the
accelerometer
and
had
about
oculus
can
at
oculus
connect
there's
as
a
three-dollar
oller
as
well
education
on
on
vr
and
vr
storytelling

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